I was pretty happy with the images I took of objects in my home to create a sense of place but when selecting the final 5 and trying to create an overall theme for the collection I’ve been wondering if I needed something else to explain the area on a wider scale.
As most of my images are closeup detailed shots then I think maybe a few images which explain where this location is might help introduce the collection. I decided to shoot a few images outside and will see if they add the desired effect in my final 5 chosen images.
Today, myself and David went to gather more material for our SISE project. Our main aim was to further explore the area to take images back to the rest of the group who have yet to visit and to enable us to think about how we will use the area to best to create our final piece of work.
As well as gathering images in the immediate area, I had the chance to explore the nearby avonmouth village which was somewhere i’d not known about and was a source for some appealing images that showed the tight mix of residential and industrial buildings in the area.
While we gathered a number of fantastic images that will be useable in our pirce, our main aim was to gather some more interesting sounds as we had the use of some better equipment and the contact/underwater mics.
As it was a Sunday it was a lot quieter so we were able to isolate some of the more interesting sounds of the bridge more easily.
The contact mic once again was a really good choice when gathering interesting material. using the contact mic on the metal barriers on top we were able to create a unique sound that could be layered with other sounds to create a portrait or used on its own to highlight some of the more obscure sounds found in this location.
We were interested in testing out the waterproof mic and after a bit of debating about weather we thought the mic was really waterproof (it wasn’t ours to break) we decided to drop it down a water drain in the middle of the bridge. While we couldn’t really hear the results while we were there due to traffic noise, we were pleased to discover that we had recorded something that was quite surreal.
Overall I think the day was highly productive and it gave us some more ideas about what we wanted to include in the project and something more to give to the group to inspire them.
In our previous meeting we discussed our ideas for the SISE group project, we favoured basing our sense of place project on a city tower block. Previous Meeting. During the week we tried to arrange to meetup and recci some locations and this proved difficult for people to commit to.
We finally managed to arrange a couple of hours this morning and we met up at the tower blocks in Redcliffe Bristol. We immediately discovered a problem accessing the site and had to resort to gathering material around the grounds of the tower blocks. We got some interesting images and could visualise how the project might work if we were able to get access to the flats.
In our tutorial we discussed our problems and discussed how we should try and gain access to the site and engage with residents who might be happy and interested to help out in the project. I think it’s fair to say that there was a struggle getting motivated, especially as it was proving difficult to meet up as a group and we discussed this briefly.
Along with discussing the tower block ideas we also discussed my continued interest in doing a recce of Avonmouth motorway bridge and myself and David agreed to do a recci in the afternoon just to vary our options if we still encountered issues with access and motivation. During the tutorial Kathy kindly loaned me one of her home made contact mics along with a waterproof mic because I was interested in capturing obscure environmental sounds, we took this mic along to the bridge with us.
When we visited the bridge it immediately felt like it would be an ideal place for our project, there was a vast array of audio and image opportunities and little restriction. It was surreal to see a housing estate split up so abruptly by a huge structure and left me wondering what it must be like to live in this locations. There was an OAP crossing a pedestrian crossing that seemed to lead nowhere and all around the light was blocked out by giant supports and scaffolding clad beams. Under the bridge there was nothing but gravel and rocks and immediately next to it were houses with gardens, trees and even birds and it felt like a huge contrast in a matter of a few metres and this was something that really interested me.
We captured a number of images to show to the rest of the group and also headed up the bridge and fixed the contact mic to the floor to experiment with sound options. The sounds I gathered of the cars crossing a metal join on the bridge really inspired me and I could see how it could be used in a project.
We fed back our material to the group via facebook and are currently awaiting peoples thoughts on where we should base our final project. Although I agree with the concept of the tower block location I think based on our current speed of progress we wouldn’t have time to contact people and set up a situation where we could complete the project to a good standard. Using the bridge we could visit at any time and not necessarily in a group and combine our material to create a pretty good standard of work.
Taking inspiration from Peter Fraser I took some images that show a sense of place and icons of that place that could identify it and importantly will change over time meaning that these images highlight one particular moment in time. … Continue reading →
While sitting in a lecture for sound image and sensory experience we were presented with a number of images by Peter Fraser. These images were used to describe ‘Fine Art’ which is a concept of culture that has really always been confusing for me. Some of the images I could find some sort of meaning with but when presented with the image TWO BLUE BUCKETS., this image seemed to me the final straw in my understanding of fine art and I let out a giggle and didn’t understand how I could take this image seriously. why was it so special? What is the meaning (if any?)
I Was intrigued to find out more about this image and the photographer so decided to take his book, also entitled ‘TWO BLUE BUCKETS’ out of the library. Having looked through the images and studied the accompanying text it became clear that the special element wasn’t just the image but how it was produced, how it worked alongside a series of images and how it broke conventions at the time it was produced.
At the time (1983) most photographers were using black and white. Walker Evans said that “Colour photography is vulgar” Fraser explored the use of colour to highlight the present verses the past and used it to add an extra element to an image. seeing both ‘The blue and the sky’ Rupert Martin Two Blue Buckets.
In this interview Fraser explains of his work with icons as being there fro that moment in time and I think this alongside the curating of the book has helped me to understand how actual process of presenting an image in printed form in great detail is just as much a part of the image as is the subject matter and when creating an image thinking about how its intended look (in this case with colour) can have an impact on the composition.
I’ve decided to use my SISE still image project to try and dip into these concepts and create my own Peter Fraser inspired images.
Been looking around to try and understand more about abstract photography for my SISE project. Finding it very hard to scrub away from taking traditional ‘good’ photographs. Looking at a site called Lens Culture I stumbled across an image that just caught my eye.
I was intrigued at how this image was made (using reflective and coloured gels) and discovered that Christina Matos – Albers has a lot of location photography that will be helpful when researching my ideas to create my own sense of place images.